![]() Loggia recalled telling the doubles to “take a hike” before nailing the sequence in “just about one take.” Those little details perfectly epitomize why “Big” rose above all the other transformation movies ever made.'Pirates of the Caribbean: The Curse of the Black Pearl': THR's 2003 Review Reportedly, when the pair showed up on set that day a few dancers were in attendance. To make that scene an all-time heart-warmer, Loggia and Hanks spent months practicing on a huge cardboard version on their own. Coincidentally, after the film Saraceni started selling said giant pianos for a cool $15,000. Clearly, for “Big” it's when Robert Loggia and Hanks play out “Heart and Soul” on the specially built 16-foot-long three-octave piano. Naturally, any great movie requires an unforgettable scene. To replicate the look Hanks himself requested oversized shoes and got his waddle on. ![]() To top it off, the child actor was undergoing a growth spurt, forcing him into ill-fitting shoes that made him walk like a duck. To further help Hanks tap into his inner child, Marshall also filmed Moscow acting out all of the adult scenes so Tom could see how an actual child would act in those situations. At the behest of the director, Hanks and his boy counterpart David Moscow spent a day in a room playing with an endless litany of toys. ![]() Perhaps what set “Big” apart from all the other “boy turned man” films of its time came thanks to the complete investment by the major players. The worst version of “Big” would have starred Gary Busey but Marshall smartly questioned his ability to play a child… The director also pushed for John Travolta but was told "he was box office poison." Hanks dodged yet another bullet when Robert De Niro dropped out at the last second when the studio failed to meet his $6 million asking price.ĭe Niro’s involvement did manage to raise the interest in the project which ultimately persuaded Hanks to accept when they took another run at him. That led to Kevin Costner, Dennis Quaid, Warren Beatty, and Albert Brooks all declining. Ironically, Hanks originally passed due to scheduling conflicts with very forgettable projects. Hanks obviously parlayed “Big” into the all-time career we appreciate today but “Big” represented the first major domino in his Walk of Fame run. To that end, Marshall also insisted that Perkins kiss Hanks on the forehead and not the mouth, as the script called for, after learning Hanks was actually a 12-year-old boy. ![]() In this hypothetical situation, a 12-year-old girl would have transformed into a 30-something female who nearly sleeps with an adult male… Shrewdly or obviously, Marshall called that version “something from Penthouse or Hustler,” not to mention fairly creepy. Let’s start with the notion that many people, including Elizabeth Perkins, lobbied for the genders to be reversed as well. Unlike other movies, it’s hard to imagine another film with more what-ifs that could have irrevocably ruined it. Like most Hollywood films, “Big’s” pre-production includes many what-ifs. Tom Hanks sitting at a dining table with a child as a birthday cake is being delivered to them in a scene from the film 'Big', 1988. ![]()
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